【あいちトリエンナーレ2019】炭素材を使った城下町〜岩崎貴宏《町蔵》伊藤家住宅

あいちトリエンナーレ2019

あいちトリエンナーレ2019で岩崎貴宏さんの作品を鑑賞しました。
会場は、四間道、円頓寺エリアの「伊藤家住宅」で、津田道子と空間を使い分けての展示でした。

四間道エリアにある伊藤家住宅は、清洲越の商家で享保7年（1722年）頃に建てられた愛知県指定有形文化財であり、名古屋市景観重要建造物でもある貴重な建造物です。四間道と円頓寺界隈は、戦中の空襲で焼失した名古屋地区の中にあって、焼け残った貴重な場所であります。

住宅は、本家、新座敷、南座敷からなる主屋と、蔵、新土蔵、西蔵、細工蔵等からなり庭も広くとられています。

時代を超えて生き残ったこの伊藤家住宅の中に、空襲で焼け落ちた城下町を入れ込んでしまうという作品でしたが、炭を使った作品とは驚きました。表現されたこの光景は、過去のものか、未来残りうるものなのか、私たちに時間軸を問いかけているようです。

岩崎貴宏さんの作品制作場面はいつも興味を惹かれます。
一体どうやって作っているのでしょう･･･？

Aichi Triennale 2019

At Aichi Triennale 2019, we experienced a work by Takahiro Iwasaki.
The venue was the Ito Family Residence in the Shikemichi / Endoji area, where he shared the site with Michiko Tsuda, each using a different section of the space.

The Ito Family Residence in the Shikemichi area is a merchant house built around 1722 (Kyoho 7) by a family that relocated from Kiyosu. It is designated a Tangible Cultural Property of Aichi Prefecture as well as an Important Cityscape Building of Nagoya. Shikemichi and the neighborhood around Endoji are precious survivors — among the parts of Nagoya that were reduced to ashes by wartime air raids, this district was one of the few to be spared.

The inner garden of the Ito Family Residence

The residence consists of a main dwelling with the honke, new drawing room, and south drawing room, along with the kura (storehouse), new dozo, west storehouse, saikura and other structures, and a generous garden.

Entering the residence and pressing further inside brings you to Takahiro Iwasaki’s exhibition space — the earthen-walled storehouse.

Charcoal is spread out atop stratified layers of stacked furniture and daily objects.

There is no air-conditioning inside — it is remarkably hot.

A castle-town Nagoya, burned to the ground, unfolds before us.

It might be read as Nagoya Castle and the TV tower standing together.

That expressive command of fine detail is quintessentially Iwasaki.

Only the base of Nagoya Castle remains — a palpable sense of loss.

When it comes to tower-building craft, he may well be in a league of his own in Japan.

This piece places a castle town, burned down in the air raids, inside the Ito Family Residence — a building that has itself survived the centuries — and I was stunned that the material was charcoal. Whether the scene it depicts is one from the past or one that might still remain in the future, the work seems to press us with a question about time.

The making of Takahiro Iwasaki’s works has always fascinated me.
How on earth does he build them?

Aichi Triennale 2019

在 Aichi Triennale 2019 中,我们观赏了 Takahiro Iwasaki 的作品。
展示场地为四间道、圆顿寺一带的”伊藤家住宅”,与 Michiko Tsuda 分别占用不同的空间进行展出。

坐落于四间道一带的伊藤家住宅,是清洲越商家在享保 7 年(1722 年)前后建造的宅邸,是爱知县指定有形文化财产,同时也是名古屋市景观重要建造物,是一处极为珍贵的建筑。四间道及圆顿寺一带,是战争期间空袭中被烧毁的名古屋地区中,幸存下来的宝贵街区。

住宅由本家、新座敷、南座敷所组成的主屋,以及仓、新土仓、西仓、细工仓等构成,同时拥有开阔的庭园。

进入宅邸,穿过深处便来到 Takahiro Iwasaki 的展示空间——土仓。

这件作品把在空袭中被烧毁的城下町,嵌入了穿越时代得以幸存下来的伊藤家住宅之中——而所使用的材料竟是炭,令人惊叹不已。这里所呈现的景象,是过去之物,还是可能残留到未来之物?作品仿佛在向我们抛出关于时间轴的追问。

Takahiro Iwasaki 的创作现场总是让人着迷。
究竟是怎样制作出来的呢……?

Aichi Triennale 2019

Aichi Triennale 2019에서 Takahiro Iwasaki의 작품을 감상했습니다.
장소는 시케미치·엔도지 지구의 “Ito Family Residence”로, Michiko Tsuda와 공간을 나눠 사용하는 형태의 전시였습니다.

시케미치 지구에 있는 Ito Family Residence는 기요스에서 옮겨온 상가로, 교호(享保) 7년(1722년)경에 지어진 아이치현 지정 유형문화재이자 나고야시 경관 중요 건조물로, 매우 귀중한 건축물입니다. 시케미치와 엔도지 일대는 전쟁 중 공습으로 잿더미가 된 나고야 지역 안에서 소실을 면한 귀중한 장소입니다.

주택은 본가, 신좌부, 남좌부로 이루어진 주옥과 곳간(蔵), 새로 지어진 도조(土蔵), 서쪽 곳간, 사이쿠라(細工蔵) 등으로 구성되어 있으며, 넓은 정원도 갖추고 있습니다.

주택에 들어가 안쪽으로 나아가면 Takahiro Iwasaki의 전시 공간인 도조가 나타납니다.

시대를 넘어 살아남은 이 Ito Family Residence 안에, 공습으로 불타버린 성하 마을을 통째로 밀어넣는 작품이었지만, 재료가 탄이라는 사실에는 놀라지 않을 수 없었습니다. 여기 표현된 이 풍경은 과거의 것일까요, 아니면 미래에 남을지도 모를 것일까요? 작품은 우리에게 시간축에 대한 물음을 던지는 듯합니다.

Takahiro Iwasaki의 작품 제작 현장은 언제나 흥미를 자아냅니다.
대체 어떻게 만들어내는 걸까요……?