Collected! Japanese Avant-Garde — Through the Eyes of Tokutaro Yamamura: The Yamamura Collection
I visited the special exhibition “Collected! Japanese Avant-Garde — Through the Eyes of Tokutaro Yamamura: The Yamamura Collection,” which brings together 140 works collected by the businessman Tokutaro Yamamura (1926–1986), a resident of Nishinomiya City, Hyogo Prefecture. The venue is the Hyogo Prefectural Museum of Art.
Hyogo Prefectural Museum of Art
The collecting philosophy of the Yamamura Collection is said to lie “in the space between abstraction and a more human-scented avant-garde.”
This collection exhibition is the first in about twenty years, and reportedly the largest in scale to date.
Collected! Japanese Avant-Garde — Through the Eyes of Tokutaro Yamamura: The Yamamura CollectionYoshishige Saito, “Bench,” 1967The exhibition also offered insights into the collector’s way of thinking.Installation viewInstallation viewInstallation viewLeft: Kumi Sugai, “Oni (Brown),” 1962. Right: Kumi Sugai, “Mouse Gray,” 1962Collection management notebookSadamasa Motonaga, “Heran Heran,” 1975Installation viewAs a collector, he seems to have been strongly influenced by Peggy Guggenheim.Kazuo Shiraga, “Tenisei Sekihakki,” 1959Kazuo Shiraga, “Ultra-Modern Sanbaso,” 1957/2003Installation viewJiro Takamatsu, “Shadow (#394),” 1974–75Left: Atsuko Tanaka, “Work,” 1958. Right: Atsuko Tanaka, “Work,” 1961Atsuko Tanaka, “Work,” 1958Ushio Shinohara, “Motorcycle Mama,” 1971Kenjiro Okazaki, “Zinc,” 1985. Polypropylene, lead, FRP. 190×160×190 cmInstallation viewMasunobu Yoshimura, “Pig Lib;,” 1971
It was a large-scale collection exhibition.
With many abstract works and large-format pieces lined up throughout the venue, the space was truly spectacular.
I thoroughly enjoyed this outstanding array of works!
收藏了！日本前卫——透过山村德太郎之眼：山村收藏展
我参观了汇集140件收藏作品的专题展览”收藏了！日本前卫——透过山村德太郎之眼：山村收藏展”。这些作品由曾居住在兵库县西宫市的企业家Tokutaro Yamamura（1926–1986）收集。展览场地为兵库县立美术馆（Hyogo Prefectural Museum of Art）。
효고현 니시노미야시에 거주했던 기업가 Tokutaro Yamamura(1926~1986)가 수집한 컬렉션 작품 140점이 한자리에 모인 기획전 “Collected! Japanese Avant-Garde — Through the Eyes of Tokutaro Yamamura: The Yamamura Collection”을 방문했습니다. 회장은 Hyogo Prefectural Museum of Art입니다.
Hyogo Prefectural Museum of Art
야마무라 컬렉션의 수집 방침은 “추상과 인간미 넘치는 전위 사이의 경계”라고 합니다.
이번 컬렉션전은 약 20년 만에 열리며, 역대 최대 규모의 출품이라고 합니다.
Collected! Japanese Avant-Garde — Through the Eyes of Tokutaro Yamamura: The Yamamura CollectionYoshishige Saito 《Bench》 1967년수집가의 사고방식도 엿볼 수 있었습니다.전시 풍경전시 풍경전시 풍경왼쪽: Kumi Sugai 《Oni (Brown)》 1962년 오른쪽: Kumi Sugai 《Mouse Gray》 1962년컬렉션 관리 노트Sadamasa Motonaga 《Heran Heran》 1975년전시 풍경수집가로서는 Peggy Guggenheim의 영향을 크게 받은 듯합니다.Kazuo Shiraga 《Tenisei Sekihakki》 1959년Kazuo Shiraga 《Ultra-Modern Sanbaso》 1957/2003년전시 풍경Jiro Takamatsu 《Shadow (#394)》 1974-75년왼쪽: Atsuko Tanaka 《Work》 1958년 오른쪽: Atsuko Tanaka 《Work》 1961년Atsuko Tanaka 《Work》 1958년Ushio Shinohara 《Motorcycle Mama》 1971년Kenjiro Okazaki 《Zinc》 1985년 폴리프로필렌, 납, FRP 크기: 190×160×190cm전시 풍경Masunobu Yoshimura 《Pig Lib;》 1971년
대규모 컬렉션전이었습니다.
추상적인 작품이 많고, 대형 작품이 늘어선 회장은 장관이었습니다.
훌륭한 작품들을 마음껏 감상했습니다!
