展示風景Sanya Kantarovsky 左：≪Good Host≫2019年 右：≪Good Host Ⅱ≫2019年Oil and watercolor on canvas≪Good Host≫2019年 Woodblock print on washi paper Edition50 ※アダチ版画コラボ作品 @35展示風景Sanya Kantarovsky ≪Woe to Wit Ⅱ≫2019年 Oul and Watercolor on canvas≪Curtain Ⅱ≫2019年 Oil and watercolor on canvas≪Cataract≫2019年 Woodblock print on washi paper Edition50 ※アダチ版画コラボ作品 @35左：≪Woe to Wit≫2019年 右：≪Curtain≫共にWoodblock print on washi paper Edition50 ※アダチ版画コラボ作品 @35Sanya Kantarovsky ≪Cataract Ⅱ≫2019年 Oil and watercolor on canvas
1階フロア
展示風景Sanya Kantarovsky ≪Burned≫2019年 Oil and watercolor on canvas展示風景展示風景Sanya Kantarovsky ≪Pearls≫2019年 Oil and watercolor on canvasSanya Kantarovsky ≪Hostess≫2019年 Oil and watercolor on canvas
I visited the solo exhibition by Sanya Kantarovsky held at Taka Ishii Gallery Tokyo. In addition to the gallery space on the 3rd floor, the exhibition also extended to the viewing floor on the 1st floor.
3rd Floor
Taka Ishii Gallery Tokyo
Sanya Kantarovsky is a male artist born in Moscow in 1982 and currently based in New York.
Installation viewSanya Kantarovsky Left: ≪Good Host≫ 2019 Right: ≪Good Host Ⅱ≫ 2019 Oil and watercolor on canvas≪Good Host≫ 2019 Woodblock print on washi paper Edition50 *Collaboration with Adachi Hanga @35Installation viewSanya Kantarovsky ≪Woe to Wit Ⅱ≫ 2019 Oul and Watercolor on canvas≪Curtain Ⅱ≫ 2019 Oil and watercolor on canvas≪Cataract≫ 2019 Woodblock print on washi paper Edition50 *Collaboration with Adachi Hanga @35Left: ≪Woe to Wit≫ 2019 Right: ≪Curtain≫ both Woodblock print on washi paper Edition50 *Collaboration with Adachi Hanga @35Sanya Kantarovsky ≪Cataract Ⅱ≫ 2019 Oil and watercolor on canvas
1st Floor
Installation viewSanya Kantarovsky ≪Burned≫ 2019 Oil and watercolor on canvasInstallation viewInstallation viewSanya Kantarovsky ≪Pearls≫ 2019 Oil and watercolor on canvasSanya Kantarovsky ≪Hostess≫ 2019 Oil and watercolor on canvas
Woodblock Print Works (in cooperation with the Adachi Institute of Woodcut Prints)
For this exhibition, the artist spent one month at the Treadson Bettei in Nikko, where he created a series of drawings. The four woodblock print works presented this time were produced by the Adachi Institute of Woodcut Prints based on that series.
Adachi Hanga has actively promoted collaborations with contemporary art, and as summarized in the article below, they are working to broadly disseminate high-quality print works.
Sanya Kantarovsky ≪Woe to Wit≫ The central image and the background combine two works.
All of the print works in this exhibition were produced by Adachi Hanga, and their quality was extremely high — truly wonderful works. The artist himself was reportedly very satisfied.
Sanya Kantarovsky’s works, with their narrative imagery filled with unease and touches of humor, share affinities with the world of Japanese ukiyo-e. His work has also found support among Japanese collectors, and sales at the exhibition were strong. Almost every piece was sold out by the opening day.
展览现场Sanya Kantarovsky 左：≪Good Host≫ 2019年 右：≪Good Host Ⅱ≫ 2019年 Oil and watercolor on canvas≪Good Host≫ 2019年 Woodblock print on washi paper Edition50 ※与Adachi Hanga合作作品 @35展览现场Sanya Kantarovsky ≪Woe to Wit Ⅱ≫ 2019年 Oul and Watercolor on canvas≪Curtain Ⅱ≫ 2019年 Oil and watercolor on canvas≪Cataract≫ 2019年 Woodblock print on washi paper Edition50 ※与Adachi Hanga合作作品 @35左：≪Woe to Wit≫ 2019年 右：≪Curtain≫ 均为Woodblock print on washi paper Edition50 ※与Adachi Hanga合作作品 @35Sanya Kantarovsky ≪Cataract Ⅱ≫ 2019年 Oil and watercolor on canvas
1楼展厅
展览现场Sanya Kantarovsky ≪Burned≫ 2019年 Oil and watercolor on canvas展览现场展览现场Sanya Kantarovsky ≪Pearls≫ 2019年 Oil and watercolor on canvasSanya Kantarovsky ≪Hostess≫ 2019年 Oil and watercolor on canvas
木版画作品(协力:Adachi Institute of Woodcut Prints)
为了本次展览,艺术家在日光的Treadson别邸停留了一个月,创作了素描系列。此次发表的木版画作品(4件),是Adachi Institute of Woodcut Prints以该系列为基础制作的作品。
Taka Ishii Gallery 도쿄에서 개최된 Sanya Kantarovsky의 개인전을 방문했습니다. 본 전시는 3층 갤러리 공간에 더해 1층 뷰잉 플로어에서도 전시가 진행되었습니다.
3층 플로어
Taka Ishii Gallery Tokyo
Sanya Kantarovsky는 1982년 모스크바 출생으로 뉴욕을 거점으로 활동하는 남성 아티스트입니다.
전시 전경Sanya Kantarovsky 좌: ≪Good Host≫ 2019년 우: ≪Good Host Ⅱ≫ 2019년 Oil and watercolor on canvas≪Good Host≫ 2019년 Woodblock print on washi paper Edition50 ※Adachi Hanga 협업 작품 @35전시 전경Sanya Kantarovsky ≪Woe to Wit Ⅱ≫ 2019년 Oul and Watercolor on canvas≪Curtain Ⅱ≫ 2019년 Oil and watercolor on canvas≪Cataract≫ 2019년 Woodblock print on washi paper Edition50 ※Adachi Hanga 협업 작품 @35좌: ≪Woe to Wit≫ 2019년 우: ≪Curtain≫ 모두 Woodblock print on washi paper Edition50 ※Adachi Hanga 협업 작품 @35Sanya Kantarovsky ≪Cataract Ⅱ≫ 2019년 Oil and watercolor on canvas
1층 플로어
전시 전경Sanya Kantarovsky ≪Burned≫ 2019년 Oil and watercolor on canvas전시 전경전시 전경Sanya Kantarovsky ≪Pearls≫ 2019년 Oil and watercolor on canvasSanya Kantarovsky ≪Hostess≫ 2019년 Oil and watercolor on canvas
목판화 작품(협력: Adachi Institute of Woodcut Prints)
본 전시를 위해 닛코의 Treadson 별저에 1개월간 체류하며 드로잉 시리즈를 제작했습니다. 이번에 발표되는 목판화 작품(4점)은 이 시리즈를 바탕으로 Adachi Institute of Woodcut Prints에 의해 제작된 작품입니다.
Adachi Hanga는 현대미술과의 콜라보를 적극적으로 추진하고 있으며, 아래 기사에서 정리한 바와 같이 양질의 판화 작품을 널리 보급하는 활동을 전개하고 있습니다.
Sanya Kantarovsky ≪Woe to Wit≫ 중앙의 이미지와 배경은 두 작품을 조합한 것입니다.
본 전시의 판화 작품은 모두 Adachi Hanga가 제작했으며, 그 퀄리티는 매우 높고 훌륭한 작품이었습니다. 실제로 작가 본인도 매우 만족하신 듯합니다.
Sanya Kantarovsky의 작품은 불안함과 코믹함을 담은 서사적 이미지로, 일본의 우키요에와도 통하는 세계가 있습니다. 일본 컬렉터들에게도 지지를 얻어 전시 작품의 판매도 순조로웠습니다. 개막일까지 거의 완판 상태였습니다.
