展示風景Cecily Brown 左:《Of siren tears》2020-2021 右:《The bleeding heart》2020-2021Cecily Brown《Either Or》 2021 Oil on UV-curable pigment on linen展示風景Cecily Brown《Feet on the Ground, Head in the Sky》2017-2021 Oil on linenCecily Brown,《The Company of Wolves》2017-2021 Oil on linen《The Company of Wolves》※Detail《The Company of Wolves》※DetailCecily Brown《Wop bop a loo bop》2017-2021 Oil on linen《Wop bop a loo bop》※Detail《Wop bop a loo bop》※Detail展示風景展示風景
I visited Cecily Brown’s solo exhibition “The end is a new start.” The venue is BLUM & POE Tokyo (Harajuku).
This exhibition is the first for Blum & Poe and Cecily Brown’s first exhibition in Japan.
BLUM & POE Tokyo
Cecily Brown is a female painter represented by Gagosian, one of the world’s top-tier galleries, and was born in London in 1969. She has become known for her large-scale paintings that combine abstract and figurative gestural mark-making.
The motifs referenced in her works range from classical and modern painting to pop music album covers, and she has continued relentless inquiry brimming with critique of sexuality and desire.
Installation viewCecily Brown, “Happier Than Ever” 2020-2021 Oil on linen
In this exhibition, the artist engages with two themes: her recent exploration into the historical representation of “shipwrecks,” and a new inquiry grounded in her own body of work built up over a career spanning three decades.
Installation viewCecily Brown – Left: “Of siren tears” 2020-2021, Right: “The bleeding heart” 2020-2021Cecily Brown, “Either Or” 2021 Oil on UV-curable pigment on linenInstallation viewCecily Brown, “Feet on the Ground, Head in the Sky” 2017-2021 Oil on linenCecily Brown, “The Company of Wolves” 2017-2021 Oil on linen“The Company of Wolves” * Detail“The Company of Wolves” * DetailCecily Brown, “Wop bop a loo bop” 2017-2021 Oil on linen“Wop bop a loo bop” * Detail“Wop bop a loo bop” * DetailInstallation viewInstallation view
The prices for works by leading, era-defining top-tier artists can climb to tens of millions of yen even for smaller pieces, and only a handful of collectors can afford to collect them.
Cecily Brown’s paintings, with their layered, intricate, and delicate brushwork, felt like works in which the viewer’s imagination expands endlessly.
Cecily Brown “The end is a new start”
我造访了Cecily Brown(塞西莉·布朗)的个展”The end is a new start(终结即新的开始)”。展场为BLUM & POE东京(原宿)。
展览现场Cecily Brown 左:《Of siren tears》2020-2021 右:《The bleeding heart》2020-2021Cecily Brown《Either Or》2021 Oil on UV-curable pigment on linen展览现场Cecily Brown《Feet on the Ground, Head in the Sky》2017-2021 Oil on linenCecily Brown,《The Company of Wolves》2017-2021 Oil on linen《The Company of Wolves》※Detail《The Company of Wolves》※DetailCecily Brown《Wop bop a loo bop》2017-2021 Oil on linen《Wop bop a loo bop》※Detail《Wop bop a loo bop》※Detail展览现场展览现场
引领时代的顶尖当红艺术家的作品,即便是小尺幅也动辄数千万日元,能收藏得起的藏家寥寥无几。
Cecily Brown的绘画笔触繁复而细腻、层层叠叠,令观者的想象力得以无限延展。
Cecily Brown “The end is a new start”
Cecily Brown(세실리 브라운)의 개인전 “The end is a new start(끝은 새로운 시작)”을 방문했습니다. 장소는 BLUM & POE 도쿄(하라주쿠)입니다.
이번 전시는 Blum & Poe로서는 최초, 작가로서도 일본 최초의 전시입니다.
BLUM & POE 도쿄
Cecily Brown은 세계 최고의 갤러리 Gagosian 소속의 여성 화가로, 1969년 런던에서 태어났습니다. 추상과 구상이 뒤섞인 몸짓을 동반한 대형 스케일의 회화 작품으로 이름을 알려온 작가입니다.
그녀의 작품이 참조하는 모티프는 고전·근대 회화에서 팝 음악 앨범 커버에 이르기까지 폭넓으며, 섹슈얼리티와 욕망에 대한 비판을 담은 끈질긴 물음을 이어왔습니다.
전시 전경Cecily Brown 《Happier Than Ever》 2020-2021 Oil on linen
이번 전시에서는 작가가 최근 탐구해 온 “난파선”이라는 역사적 표상에 대한 고찰, 그리고 30년에 이르는 커리어 속에서 축적된 자신의 작품을 토대로 한 새로운 탐구, 이 두 가지 주제를 다루고 있습니다.
전시 전경Cecily Brown 좌: 《Of siren tears》 2020-2021 우: 《The bleeding heart》 2020-2021Cecily Brown 《Either Or》 2021 Oil on UV-curable pigment on linen전시 전경Cecily Brown 《Feet on the Ground, Head in the Sky》 2017-2021 Oil on linenCecily Brown, 《The Company of Wolves》 2017-2021 Oil on linen《The Company of Wolves》 ※Detail《The Company of Wolves》 ※DetailCecily Brown 《Wop bop a loo bop》 2017-2021 Oil on linen《Wop bop a loo bop》 ※Detail《Wop bop a loo bop》 ※Detail전시 전경전시 전경
시대를 이끄는 현역 톱스타 아티스트의 작품 가격은 소품이라 하더라도 수천만 엔에 이르며, 그마저도 소장할 수 있는 컬렉터는 극소수에 불과합니다.
Cecily Brown의 회화는 복잡하고 섬세한 필치가 겹겹이 쌓여, 감상자의 상상력이 끝없이 확장되어 가는 듯한 작품이었습니다.