磯村 暖 Dan Isomura
1992年東京生まれ、東京在住。2016年東京藝術大学美術学部絵画科油画専攻卒業。
2017年ゲンロン カオス*ラウンジ 新芸術校第２期卒業(卒業時 金賞受賞)。
主な活動に、ロンドンと東京でのレジデンスプログラム参加中に行なった個展「Two glasses of water / 2000000000000000000000000 water molecules」(The Vitrine, Central Saint Martins, ロンドン, 2017)、「A glass of water / 1000000000000000000000000 water molecules」(遊工房, 東京, 2017)や、KENPOKU ART 2016 茨城県北芸術祭プレ企画「藝大子アートプロジェクト」への参加などがある。また2016年より自宅でパーティーを度々主催し、2017年にネパール人移民と共に行なったパーティー「HOME PARTY#1」をギャラリー空間内で再構築、再解釈したインスタレーション「HOME PARTY#2」（カオス*ラウンジ五反田アトリエ, 東京, 2017）を発表した。
現在磯村はグローバリズムの転換期の景色を見つめ、訪れた土地や日本で出会う移民たちの故郷のヴァナキュラーな文化や宗教美術、物理学、SNS上の美学等を参照してインスタレーションや絵画を制作している。
Dan Isomura is a young visual artist whose distinctive fashion sense is striking. Perhaps because he had the experience of staying and creating work in Thailand during his student days, he also seems to have an interest in international social issues.
Isomura Dan / Dan Isomura
Born in Tokyo in 1992, currently based in Tokyo. Graduated in 2016 from Tokyo University of the Arts, Faculty of Fine Arts, Department of Painting, Oil Painting Major.
Graduated in 2017 from Genron Chaos*Lounge New Art School, 2nd Term (received the Gold Prize at graduation).
Major activities include solo exhibitions held during residency programs in London and Tokyo: “Two glasses of water / 2000000000000000000000000 water molecules” (The Vitrine, Central Saint Martins, London, 2017), “A glass of water / 1000000000000000000000000 water molecules” (Yukobo, Tokyo, 2017), and participation in the KENPOKU ART 2016 Ibaraki Prefecture Northern Arts Festival Pre-Planning “Geidai Students Art Project.” Additionally, from 2016 onwards, he has frequently hosted parties at his home, and in 2017 presented the installation “HOME PARTY#2” (Chaos*Lounge Gotanda Atelier, Tokyo, 2017), which reconstructed and reinterpreted the party “HOME PARTY#1” held with Nepalese immigrants within a gallery space.
Currently, Isomura observes the landscape of globalization’s turning point and creates installations and paintings by referencing vernacular culture and religious art of homelands of immigrants he encounters in visited locations and Japan, as well as physics and aesthetics on SNS.
Solo Exhibition “Good Neighbors”
Dan Isomura’s solo exhibition “Good Neighbors” is positioned as the most outstanding debut exhibition of the Genron Chaos Lounge New Art School, 2nd Term. This time, the exhibition was themed around “immigration,” which has garnered attention through European issues and the Trump administration.
The central display of this exhibition was an installation using water. With five colorful boxes at the center, water flowing through hoses circulates from bottom to top.
When I visited, the water was turned off, but when I asked the staff out of curiosity, it seemed the machine wasn’t functioning well and they didn’t keep the power on constantly. They switched it on for me, and I was able to view it.
The red diorama work on the right “Indie Trap ~Welcome”
Flowing water is a great force that dominates the earth we inhabit. It serves as a lubricant connecting nations, and during immigration, it becomes an important keyword as a precious migration route. I took a short video.
It appears that each box was co-produced with Asian immigrants, young people who came to Japan with dreams, and Japanese people who have spent much time abroad.
「We are made of dinosaurs’ pee」We are made of dinosaur urine
「To peux aller ou tu veux quand tu veux avec qui tu veux···」You can go anywhere in the world whenever you want with whoever you want. Because water travels around the world with you. (Co-production: Chinatsu)
「Sustainability and aspects of happiness」Sustainability and aspects of happiness
「duality」Duality
According to the staff, the work brings to mind the expression methods using boxes left by American contemporary artist Joseph Cornell, the expression methods of visual artist Tetsumi Kudo from the late Showa period, and the works of Yukinori Yanagi, famous for works where ants destroy sand paintings of international flags.
Small diorama works themed to match the exhibition’s theme were also displayed. The fluffy sculptural work is “Leakage.” It is a work that utilizes the mechanism of sealed urethane expanding and protruding from gaps. It seems to express the unpredictability and imbalance.
Left: “Leakage1” Right: “Leakage2”
Life jackets symbolizing immigration.
Many of the small works were priced at 10,000 yen (excluding tax), and many had sold markers.
「Love」90,000 yen (excluding tax) ※Sold
「Ushiku Immigration Detention Center」250,000 yen (excluding tax)
「Dog Alien」
Summary
Despite dealing with socially heavy themes, I felt the artist’s skill in conveying messages softly through bright and tactilely pleasant expression methods.
He may be someone with a kind heart, but I think if the younger generation promotes this kind of communication, surely the future will be a bright one.
磯村 暖 Dan Isomura
1992年生于东京，现居东京。2016年毕业于东京艺术大学美术学部绘画科油画专业。
2017年毕业于Genron Chaos*Lounge新艺术校第2期（毕业时获得金奖）。
主要活动包括：在伦敦和东京驻地项目期间举办的个展《Two glasses of water / 2000000000000000000000000 water molecules》（The Vitrine, Central Saint Martins, 伦敦, 2017）、《A glass of water / 1000000000000000000000000 water molecules》（游工房, 东京, 2017），以及参展KENPOKU ART 2016茨城县北艺术节前期企划”艺大生艺术项目”等。此外，自2016年起经常在自宅举办派对，2017年与尼泊尔移民共同举办的派对”HOME PARTY#1″在画廊空间内重新构建和重新诠释为装置艺术《HOME PARTY#2》（Chaos*Lounge五反田工作室, 东京, 2017）。
目前磯村着眼于全球化转折期的景观，以访问过的地方和在日本遇见的移民的故乡的俗民文化、宗教美术、物理学、社交媒体上的美学等为参考，制作装置艺术和绘画作品。
磯村 暖 Dan Isomura
1992년 도쿄 출생, 도쿄 거주. 2016년 도쿄예술대학 미술학부 회화과 유화 전공 졸업.
2017년 겐론 카오스*라운지 신예술교 2기 졸업(졸업 시 금상 수상).
주요 활동으로, 런던과 도쿄에서의 레지던시 프로그램 참여 중 개최한 개인전 「Two glasses of water / 2000000000000000000000000 water molecules」(The Vitrine, Central Saint Martins, 런던, 2017), 「A glass of water / 1000000000000000000000000 water molecules」(유공방, 도쿄, 2017) 및, KENPOKU ART 2016 이바라키현 북부 미술제 사전 기획 「예대생 아트 프로젝트」 참여 등이 있습니다. 또한 2016년부터 자택에서 파티를 자주 개최했으며, 2017년 네팔 이민자와 함께 개최한 파티 「HOME PARTY#1」을 갤러리 공간 내에서 재구성, 재해석한 인스톨레이션 「HOME PARTY#2」(카오스*라운지 고탄다 아틀리에, 도쿄, 2017)를 발표했습니다.
현재 이소무라는 글로벌리즘의 전환기 풍경을 응시하며, 방문한 땅이나 일본에서 만나는 이민자들의 고향 버나큘러 문화와 종교미술, 물리학, SNS상의 미학 등을 참고하여 인스톨레이션과 회화를 제작하고 있습니다.
개인전 「Good Neighbors」
이소무라 다쓰의 개인전 「Good Neighbors」는 겐론카오스라운지 신예술교 2기 최우수 데뷔전으로 위치지어집니다. 이번에는 유럽의 문제와 트럼프 정권에서 주목받는 「이민」을 주제로 전시되었습니다.
이번의 중심적인 전시는 물을 사용한 인스톨레이션입니다. 화려한 5개의 상자를 중심으로 호스를 통해 흐르는 물이 아래에서 위까지 순환하는 장치입니다.
방문했을 때는 물이 멈춰 있었는데, 궁금해서 직원분께 물어보니 기계 상태가 좋지 않아서 항상 전원을 켜지 않는다고 했습니다. 스위치를 켜주셔서 감상할 수 있었습니다.
오른쪽 빨간 상자정원 작품 「인디 트랩～어서 오세요」
흐르는 물은 우리가 사는 지구를 지배하는 거대한 존재입니다. 국가 간을 연결하는 윤활유 역할을 해주며, 이민할 때는 귀중한 이동 경로가 되는 중요한 키워드이죠. 동영상을 조금 촬영해 봤습니다.
각각의 상자는 아시아계 이민자, 꿈을 안고 일본에 온 청년, 해외에서 많은 시간을 보낸 일본인과 협력해서 제작되었다고 합니다.
「We are made of dinosaurs’ pee」우리는 공룡의 오줌으로 만들어졌다
「To peux aller ou tu veux quand tu veux avec qui tu veux･･･」당신은 세계 어디든 언제든 누구와든 갈 수 있다. 왜냐하면 물이 당신과 함께 세계를 순환하고 있기 때문이다.（제작 협력：Chinatsu）
「Sustainability and aspects of happiness」지속 가능성과 행복의 양상
