《Daily Life of Azazel-san》 2019 Acrylic on canvas, mixed media 178×138cm《Universe Gyaru Kali & Earth Visual Rock Smart》 2019 Acrylic on canvas, mixed media 170×110cm 展示風景〜手前《A (Blood) Thirst Trap》 2019 Acrylic on canvas, mixed media 180×173cm《Double Sadness》2019 Acrylic on canvas, mixed media 128×88cm
チェン・ティエンジュオ 「Backstage Boys」
チェン・ティエンジュオもエネルギッシュな作品でした。
中：《Black Metal Communist》2019 Aluminum panel, inkjet print, oil stick 90×172cm《We Can Reveal the Shadow of the Shadow 》2019 MDF relief, oil stick 140×92×10cm《Jingba Lost in the Forest》2019 Aluminum panel, inkjet print, oil stick 90×75cmチェン・ティエンジュオ作品展示風景《After Life》2019 MDF relief, oil stick 124×100×15cm
I visited an exhibition in Shanghai by two Chinese artists, Lu Yang and Chen Tianzhuo. The gallery is BANK MAB SOCIETY.
BANK MAB SOCIETY
Lu Yang “Debut”
At Art Basel Hong Kong 2019, Lu Yang’s psychedelic video works left a lasting impression on me.
I was drawn into her works, which are marked by a distinctive sense of color and darkly poisonous motifs.
“Daily Life of Azazel-san” 2019 Acrylic on canvas, mixed media 178×138cm“Universe Gyaru Kali & Earth Visual Rock Smart” 2019 Acrylic on canvas, mixed media 170×110cmInstallation view — front: “A (Blood) Thirst Trap” 2019 Acrylic on canvas, mixed media 180×173cm“Double Sadness” 2019 Acrylic on canvas, mixed media 128×88cm
Chen Tianzhuo “Backstage Boys”
Chen Tianzhuo’s works were equally energetic.
Center: “Black Metal Communist” 2019 Aluminum panel, inkjet print, oil stick 90×172cm“We Can Reveal the Shadow of the Shadow” 2019 MDF relief, oil stick 140×92×10cm“Jingba Lost in the Forest” 2019 Aluminum panel, inkjet print, oil stick 90×75cmInstallation view of Chen Tianzhuo’s works“After Life” 2019 MDF relief, oil stick 124×100×15cm
I could feel the momentum of young Chinese artists.
The gallery’s atmosphere was also excellent — well worth the detour to see it.
Lu Yang 与 Chen Tianzhuo 双人展
我在上海观看了中国艺术家 Lu Yang（陆扬）与 Chen Tianzhuo（陈天灼）的双人展。画廊是 BANK MAB SOCIETY。
BANK MAB SOCIETY
Lu Yang “Debut”
2019 年 Art Basel Hong Kong 上，Lu Yang 迷幻风格的影像作品令人印象深刻。
她独特的色彩感觉与带有毒性的母题深深吸引了我。
《Daily Life of Azazel-san》 2019 Acrylic on canvas, mixed media 178×138cm《Universe Gyaru Kali & Earth Visual Rock Smart》 2019 Acrylic on canvas, mixed media 170×110cm展览现场 — 前方：《A (Blood) Thirst Trap》 2019 Acrylic on canvas, mixed media 180×173cm《Double Sadness》 2019 Acrylic on canvas, mixed media 128×88cm
Chen Tianzhuo “Backstage Boys”
Chen Tianzhuo 的作品同样充满能量。
中：《Black Metal Communist》 2019 Aluminum panel, inkjet print, oil stick 90×172cm《We Can Reveal the Shadow of the Shadow》 2019 MDF relief, oil stick 140×92×10cm《Jingba Lost in the Forest》 2019 Aluminum panel, inkjet print, oil stick 90×75cmChen Tianzhuo 作品展览现场《After Life》 2019 MDF relief, oil stick 124×100×15cm
我感受到了中国年轻艺术家的势头。
画廊的氛围也很好，特地跑一趟绝对值得。
Lu Yang 와 Chen Tianzhuo 의 2인전
상하이에서 중국인 작가 Lu Yang(루양)과 Chen Tianzhuo(천톈줘)의 2인전을 관람했습니다. 갤러리는 BANK MAB SOCIETY입니다.
BANK MAB SOCIETY
Lu Yang “Debut”
2019년 Art Basel Hong Kong에서 Lu Yang의 사이키델릭한 영상 작품이 인상적이었습니다.
독특한 색채 감각과 독기 어린 모티프가 돋보이는 작품에 매료되었습니다.
《Daily Life of Azazel-san》 2019 Acrylic on canvas, mixed media 178×138cm《Universe Gyaru Kali & Earth Visual Rock Smart》 2019 Acrylic on canvas, mixed media 170×110cm전시 전경 — 앞쪽: 《A (Blood) Thirst Trap》 2019 Acrylic on canvas, mixed media 180×173cm《Double Sadness》 2019 Acrylic on canvas, mixed media 128×88cm
Chen Tianzhuo “Backstage Boys”
Chen Tianzhuo 역시 에너지 넘치는 작품이었습니다.
가운데: 《Black Metal Communist》 2019 Aluminum panel, inkjet print, oil stick 90×172cm《We Can Reveal the Shadow of the Shadow》 2019 MDF relief, oil stick 140×92×10cm《Jingba Lost in the Forest》 2019 Aluminum panel, inkjet print, oil stick 90×75cmChen Tianzhuo 작품 전시 전경《After Life》 2019 MDF relief, oil stick 124×100×15cm
중국 젊은 작가들의 기세를 실감할 수 있었습니다.
갤러리의 분위기도 훌륭해서 발걸음을 옮긴 보람이 있었습니다.
