We visited the Hakujitsu-kai exhibition. This is a society with the impressive history of 95 editions, and the venue was The National Art Center, Tokyo.
Ambitious large-scale works filled the galleries wall to wall, making for an exhibition brimming with volume.
Installation viewDaiki Yamamoto, “In the Forest of Noema”Taiyo Tsue, “This Sky, This Earth”Mio Matsumoto, “Awaiting the Waking”Oka Fukui, “Moonlit Wind”Makoto Ogiso, “Standing Here”Daisuke Mitsutsutsu, “2019”Daisuke Mitsutsutsu, “2019” ※detailLeft: Hiroaki Yoshinari, “Zimmer 306″ Center: Kana Fujii, “The Maiden Within the Glow” Right: Ryuto Tomidokoro, “The Awaited”Installation viewAiichiro Tanaka, “Cutting Through”Kiyoshi Yamada, “Autumn on the Canal”Yutaka Murakami, “Rains, Each Their Own”Installation viewMagoto Katsuno, “Moon and Water”
The exhibition was centered on portraits of women and landscape paintings, offering many works to take in with the eye.
While the realism of the paintings was striking, the sculptures felt somewhat understated by comparison.
白日会 第九十五届纪念展
我们造访了白日会展。这是一个已举办至第95届、历史悠久的美术团体，展场设在The National Art Center, Tokyo。
大作作品鳞次栉比地布满整个展厅，是一场分量十足的展览。
